234th Season

Mariinsky II (New Theatre)

20 November
19:30
2019 | Wednesday
Evening of one-act ballets: Prodigal Son. Russian Overture. Violin Concerto No 2.
Ballet
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PRODIGAL SON

ballet in three scenes

Music by Sergei Prokofiev
Choreography by George Balanchine (1929)
Libretto by Boris Kochno (after the biblical parable)

Scenery and costumes: Georges Rouault
Scenery executed by Prince A. Schervashidze
Costumes executed by Vera Soudeikina
Staging: Karin von Aroldingen and Paul Boos
Original lighting design: Ronald Bates
Lighting: Vladimir Lukasevich


Synopsis

Prodigal Son was the last work Balanchine made for Diaghilev’s Ballets russes in 1929 with Serge Lifar in the role of the Prodigal Son; it was revived in 1950 by the New York City Ballet with Jerome Robbins in the title role. Its music by Prokofiev was written for the ballet, and its costumes and décor were created by Rouault, making it a perfect example of the collaborative efforts among artists that produced some of the best works of the Diaghilev era. New for a Diaghilev ballet was the Biblical theme and the religious spirit. In seeking eternal themes and turning to past artistic devices, western artists were trying to avoid the complete intellectual and artistic degeneration towards which their rootless experimentation was leading.

Prodigal Son anticipated the trend toward religion of the 1930s and 40s. It was Diaghilev’s fate that he would always be ahead of fashion, even when he believed he had turned his back on vogue. The return of Prodigal Son to St Petersburg is of great significance. For the first time, a ballet of the most radical, late period of Diaghilev’s Saisons russes has returned to the stage of the Mariinsky Theatre. That period of Russian and world ballet has come home, which until recently was under artistic (avant-garde aesthetics of the late Diaghilev era) and ideological (use of religious motifs) censorship.

With the return of Prodigal Son, the Mariinsky Theatre and its generation of young dancers have begun to restore an objective picture of the development of ballet in the 20th century.


Premiere: 21 May 1929, Les Ballets Russes de Serge de Diaghilev, Théâtre Sarah-Bernhardt, Paris
Premiere at the Mariinsky Theatre: 14 December 2001

Running time: 40 minutes

Age category: 12+


RUSSIAN OVERTURE

one-act ballet

Music by Sergei Prokofiev (Russian Overture for Symphony Orchestra, Op. 72)

Musical Director: Valery Gergiev
Choreography by Maxim Petrov
Conductor: Ivan Stolbov
Scenography by Anastasia Travkina and Sergei Zhdanov
Costume Designer: Tatiana Noginova
Lighting Designer: Konstantin Binkin

Premiere: 4 July 2016, Mariinsky Theatre, St Petersburg

Running time: 15 minutes

Age category: 6+


VIOLIN CONCERTO NO 2

one-act ballet

Music by Sergei Prokofiev (Violin Concerto No 2 in G Minor)

Musical Director: Valery Gergiev
Choreography by Anton Pimonov
Conductor: Ivan Stolbov
Scenography by Anastasia Travkina and Sergei Zhdanov
Costume Designer: Arina Boganova
Lighting Designer: Konstantin Binkin

Premiere: 4 July 2016, Mariinsky Theatre, St Petersburg

Running time: 30 minutes

Age category: 6+

Mariinsky Theatre:
1 Theatre Square
St. Petersburg
Mariinsky-2 (New Theatre):
34 Dekabristov Street
St. Petersburg
Mariinsky Concert Hall:
20 Pisareva street
St. Petersburg
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